McHugh Tasmania 1934

A strong example of early Tasmanian studio pottery, this McHugh piece from 1934 carries the earthy palette the maker is known for, with tones of brown, amber, and yellow blending naturally through the glaze. The two-handled form gives it a balanced, almost architectural feel, while still keeping that handmade character. McHugh’s work from this period reflects a close connection to local materials and landscape, and pieces like this show the beginnings of Tasmania’s studio pottery tradition taking shape. It is 21cm high.

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